Fall of Troy. Miroslav Holub
From burning Troy we took away
these rags of ours,
teeth in a glass
and a tattooed grandpa.
A bit further on the ancient quail
were nesting again
and silver pike were milting
in the quiet sky.
Nailed to the ground by a lance
a soldier
flapped a hand at us.
The wormwood spoke no word
nor did the gentian.
Just like home, said grandpa.
The bleating of lambs
arched a roof
over our heads.
The land flowed with manna.
From the time of the primary rocks
nothing had happened in fact.
And like a fingernail
grown into the flesh
our truth
was always with us.
We slept embraced,
rags wrapped about us,
teeth in a glass.
Just like home, said grandpa.
Nothing had happened in fact.
Only we understood
that Troy
perhaps
had really
fallen.
whatsup. Zgia
we can’t beat
keep
the beat
the fizzyness
be m.a.l.
borough small
puff any
magic dragon
button down
what‘s yours
trifle up
what‘s in the
mine
the beat
bell the metro
nome of
life
eat and drink
through the layers of
x = stance
stay where
flies used
to fly
dongdonging against a
window
pain
Out of pocket. Siona Dunn
THE FINE LINE
The Fine Line Chanticleer Publication 070105
At face value
the skin over London is too tight
the face lift of success too successful
(probably rep-car replaces Bowler)
too deep yet the lines in the faces of the poor
Fragmentary, impressionistic portraits of life in London, tinged with critical social commentary, and with the sadness and loneliness of those who live on the edge. Many of the poems are untitled, and Lucapacijürgenhebrezgiabiher makes use of visual effects, including line drawings and different fonts, in the manner of early twentieth century French poets, such as Apollonaire (unfortunately not reproducible in this review). I was also reminded of Kenneth Patchen, and I would guess that Lucapacijürgenhebrezgiabiher is a reader of Blake, Eliot and Pound. He quotes Dante: “Tra la perduta gente” (Among the lost people).
The city of London in these poems is both timeless and very much of today. He answers the question WHAT’S BEAUTY?:
Eating space and tar
Following the road — scar
Wounding the city
The burning rail tracks
Sparkling into another
Dimension where things
Matter
That bleached poster
Stuck at the petrol pump
VISIT JAMAICA
Dwindling morning dream
Visit……visit Jamaica
The success of some has always come at a price for others. Lucapacijürgenhebrezgiabiher makes his point in a manner which is playful and aphoristic:
London skull
heading a Europe
skeleton
oh what a swish reaper
(probably with a Bowler hat)
a sort of royal dawdler in
Hide&Park
— from the untitled poem quoted at the start of this reivew —
There is a kind of controlled rage and sadness. From the same poem:
assets assets assets assets assets assets assets assets assets assets assets assets
worth some wars and
flesh to be rubbished away
beauty to be sold out
needs streamlined into one-way system
Some of the poems take the form of small prayers. There is a yearning for a different Albion, where not
only the fool can
make it.
At their best, the poems have a hypnotic, haunting quality. And they are all much more readable and pronounceable than the author’s name.
Not all the writing in this collection will appeal, but if the lines quoted above say something to you, it’s worthwhile getting hold of a copy of this book.
Reviewer: Ian Seed.
Dylan Thomas – A Refusal to Mourn
William Carlos Williams
zgia
maestromuro
faeriefoodie
